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There are forms that capture a gesture, an emotion. The Gonna chair was conceived from this idea: the desire to dress design with the grace of tailored couture.
More than a chair, it is a drape of plywood that embraces the body—supple, with a curve that echoes the movement of a skirt in motion. It is no coincidence that its name Gonna—the Italian word for “skirt”—pays tribute to a silhouette that is both light and decisive.
The backrest, with its fluid and enveloping profile and central opening, creates a play of transparency that lightens its presence in space. Comfort is enhanced by an ergonomic lumbar cushion and an upholstered seat, adding a tactile and welcoming note to the wooden structure.
Its strength lies in its versatility: Gonna chair transforms its character through its bases—from wooden legs that convey a sense of domestic warmth, to metal versions—fixed, swivel, or on casters—designed for the dynamism of the contemporary workplace.
There are forms that capture a gesture, an emotion. The Gonna chair was conceived from this idea: the desire to dress design with the grace of tailored couture.
More than a chair, it is a drape of plywood that embraces the body—supple, with a curve that echoes the movement of a skirt in motion. It is no coincidence that its name Gonna—the Italian word for “skirt”—pays tribute to a silhouette that is both light and decisive.
The backrest, with its fluid and enveloping profile and central opening, creates a play of transparency that lightens its presence in space. Comfort is enhanced by an ergonomic lumbar cushion and an upholstered seat, adding a tactile and welcoming note to the wooden structure.
Its strength lies in its versatility: Gonna chair transforms its character through its bases—from wooden legs that convey a sense of domestic warmth, to metal versions—fixed, swivel, or on casters—designed for the dynamism of the contemporary workplace.